🍿 2022-11-18 15:01:35 – Paris/France.
The Addams Family has had several small and big screen adaptations over the years. Very mythical are both the television series of the 60s and the two films starring Anjelica Huston and Raul Juliabut the famous characters created by Charles Addams They continued to reappear from time to time with more or less success, but always aimed at the whole family.
This changes with the arrival on Netflix of 'Wednesday' this November 23. Here, the weight rests entirely on the characteristic persona that many viewers inevitably associate with the actress. christina curly. She also appears here, but with another character, since the Addams girl here has the face of a sensational Jenna Ortega.
The little touch of Tim Burton
Another hook of 'Wednesday' is that it's the first series in which Tim Burton is so directly involved, because He was commissioned to direct 4 of the 8 episodes of its first season, also working as an executive producer. Here I will not deceive you and tell you that the best version of the legendary director is recovered, but he turns out to be someone who understands very well the particular sensitivity of his protagonist, thus giving an extra touch of energy to the visual elements called to reinforce its personality.
Beyond that, it's clear 'Wednesday' officials wanted Burton, but more like the icing on the cake than one of the main elements of the series. So far I have been able to see three episodes and the first is undoubtedly the one in which the director of 'Eduardo Scissorhands' feels most comfortable, because it is also where the The focus is most on dark humor – time in the pool is priceless – and on the Addams Family itself, to the point of making you want a series dedicated to them.
And it is that 'Wednesday' is the story of how the main character ends up in a rather peculiar academy after having repeatedly demonstrated that he does not fit into a traditional Institute. This doesn't mean that the funny resource of fish out of water is lost, but it does qualify it a bit, since all the students in the place have a curious peculiarity.
The first episode does its job very well, playing on the contrasts with the rest, especially with its new roommate. This is maintained in later episodes, but the series introduces a very important suspenseful subplot that leads its protagonist to become an improvised investigator. Interestingly, this is where the series feels a bit more conventional. Not enough to lose interest, but to give the impression of trying to save time.
A lot of virtues more than the dough
Fortunately, dark humor never completely goes away, not even when certain situations Miércoles faces lead the series to openly flirt with a slightly more mundane youth series. I understand it's to reach a wider audience, but hopefully it's not something that ends up cannibalizing everything else, because over the episodes I've noticed that, so to speak, it's increasingly normalized.
I don't mean by that that "Wednesday" has a brilliant start and then loses gas at a forced march, since Alfred Gough and Miles Miller -the same duo behind 'Smallville'-, creators and showrunners of the series, show that they understand its protagonist very well and hit the mark when it comes to capturing that personality between the cutting edge and the hurting that we all associate to the Addams' daughter.
In addition, Ortega turns out to be an absolute triumph in casting. Already in the first images he conveyed to be a perfect choice, but he is even more so in motion, and even the presence of Ricci inevitably reminding us of his incarnation of the same character eliminates the idea that the protagonist also of 'The Fallout' shines with its own light.
The rest of the cast is also very well chosen, especially the adult characters. Of course I can't wait to see more Catherine zeta jones like Morticia already Luis Guzman like Gomez, but Gewdoline Christie, Ricki Lindhome or Ricci herself easily conforms. Slightly less challenging is the rest of the young cast, where the one that works best is Emma Myers as Wednesday's roommate, diametrically opposed to her.
Por último, a 'Miércoles' le habría venido de lujo una presence más elevada del humor negro con macabros hats, pues hay momentos en los queda reducido a frases cortantes para salir del paso antes de encauzarlo todo por senderos más tradicionales, pero al menos they're doing it without betraying the personality of its protagonist and reinforce it when it matches what they offer in this situation.
Short
'Wednesday' has everything to become Netflix's new bombshell. It may not be the best possible version of the series, but it is a remarkable approach to the figure of the character played by Ortega. Without her it would be a curious and entertaining proposition, but with the Addams girl it becomes a remarkable pastime that leaves you wanting more.
To Espinoff:
SOURCE: Reviews News
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