🍿 2022-07-21 20:15:11 – Paris/France.
adaptations of video games they are tricky because their target audience is difficult, if not impossible, to satisfy. Leaving aside that there will be fans more or less attached to the story of the games, or the idea they have of what defines the work or how the characters should be shown, it East impossible to find the interactive part that makes the medium an active experience. Certainly more active than sitting in a chair and watching the work unfold before your eyes.
But this can apply to any adaptation that is made of a fiction passing from one medium to another. Literature, theatre, a Twitter feed. This is why it is generally said that the most successful adaptations focus on capturing what is as abstract as the essence or the ideas of what it is based on.
While there's always an exception to everything, like Paul W.S. Anderson ignoring almost everything that can be considered 'Resident Evil' main thing to do some of the craziest and funniest sci-fi, action and horror films of this century. Like 'Resident Evil: Revenge', available in the HBO max catalog.
Futuristic and infected dystopia
With the always electric and charismatic Milla Jovovich in hand -with an invented character, by the way, but which has served as a skeleton for all the films-, Anderson commits the greatest insult that can be made to a fan who is use this beloved tradition as he sees fit to make whatever films he sees fit. Films with a very particular tone, very charged and not anchored in logic, but not for all that devoid of interesting ideas, both thematically and visually.
For starters, it pulls together something any self-respecting "Resident Evil" adaptation should include, because it's the pure essence of the game beyond names or recognizable characters or locations. Unlike other zombie fiction, which takes advantage of monsters and the epidemic to reflect on how humans really are the real monsters, Anderson's games and films point directly to the finger - the heart - at a large capitalist multinational that ended up creating the epidemic of its desire for expansion and economic and world domination.
“Revenge,” the fifth film in the saga, takes this critique even further through a futuristic dystopia where Anderson brings out the visual and ideological influences that “Matrix” left him. If he first succeeded in the terrifying and warlike absurdity of 'Aliens: The Return', here he even pulls 'Æon Flux' in aesthetics and narrative deployment to touch artificial realities and implanted memories.
'Resident Evil: Revenge': extreme pleasure
Elements of pure science fiction that deals in the most unbridled and carefree way possible. 'Revenge' takes full advantage of the complete break from the games created by 'Resident Evil: Extinction', running storylines and developing its own action in which names appear from time to time that will seem familiar to the fan. Anderson includes them as a side note, but knows that the importance of the film does not lie in them.
It is obvious, but we must not commune with the wheels of the mills. Anderson's style is too irreverent, ultraviolent and enjoyable to be for all audiences.
Now, if you like to have a good time with an infected movie on the loose, which takes ambitious sci-fi ideas and presents them in stunning, well-executed action, Anderson's "Resident Evil" movies are sure to do it. . And none have reached such heights as “Resident Evil: Vengeance”.
SOURCE: Reviews News
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