😍 2022-11-28 12:02:46 – Paris/France.
No matter how many catastrophic studies are published, how many platforms join the market Streaming more and more saturated or how many undesirables plant their buttocks in the stalls to make it a hell of screening; the so-called "cinematic experience" refuses to dieand the 'Stabs in the back: The Mystery of the Glass Onion' case is unequivocal proof of this.
mysteries of tax collection
A month before its Netflix premiere, scheduled for December 23, the sequel to Rian Johnson's brilliant whodunit has enjoyed a limited theatrical release that has been translated at the estimated box office of around $13,2 million Harvested on American soil. A truly surprising figure considering the circumstances surrounding the launch.
To begin with, it should be noted that the Top 5 with the most views of the Thanksgiving Bridge was composed of 'Black Panther: Wakanda Forever' -45,9 million-, 'Strange world' -11,9 million-, 'Glass Onion' -13,2 million including the extra day for the early release-, ' Devotion' -5,9 million- and 'Le Menu' -5,2 million-.
This data may not say much on its own, but things change when we realize that Benoit Blanc's new mystery only aired on 696 screenswhile the distribution of its competitors ranged from 4 258 from 'Wakanda Forever' and the 3 228 of 'The Menu'. A substantial difference that invites reflection on what the new 'Daggers in the back' would have achieved on equal terms.
Like this, the Netflix title has become the main option for adult audiences in the United Statessurpassing not only the aforementioned 'Devotion' and 'The Menu', but also two big claims such as Steven Spielberg's 'The Fabelmans' and the cannibalistic romance 'Bones and All' which brought together the media duo of Luca Guadagnino and Timothée Chalamet after 'Call Me by Your Name'.
But how did the miracle happen? Beyond the quality of the product—which, of course, is extraordinary—and with a truly luxurious cast that sells the feature on its own, Deadline's sources point to an agreement between the platform and the operators according to which he alone would have invoiced 40% of the rental rates – the large studios generally oscillate between 60% and 70% –; a higher profit margin which allowed them smooth the networks and launch a really successful limited version.
In Spain, 'The Mystery of the Glass Onion' was shown on just over 50 screens; figure not at all sufficient to be able to sneak into the Top 10 with the most-watched of the weekend despite premiering on Wednesday. In the absence of precise figures, 'Strange world' crowned the box office, followed by 'Wakanda Forever', 'As bestas', 'The fourth passenger' and 'Stories not to be told'. We don't deserve to have nice things.
SOURCE: Reviews News
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