🍿 2022-10-26 04:11:15 – Paris/France.
Mexican filmmaker Guillermo del Toro is known for films such as El Espinazo del Diablo – 92%, El Laberinto del Fauno – 95% or Hellboy – 81%, which were directed and co-written by him, but he also has a extensive career as a producer; just remember his name in tapes such as The Orphanage – 87%, Mom – 65% or Scary Stories to Tell in the Dark – 77%, among others. Now, del Toro has released an anthology of horror stories that has wowed critics and is sure to please fans of the genre: Guillermo del Toro's Cabinet of Curiosities.
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In this anthology series, composed of eight autonomous episodes, the director served as producer and screenwriter, since he himself was responsible for co-writing two episodes. Other filmmakers who made the project possible include Guillermo Navarro, who is directing the first episode, “Lot 36.” Navarro is known for his work as a cinematographer on Pan's LabyrinthA Night at the Museum – 44% and Pacific Rim – 71%, among others.
Vincenzo Natali, director of The Cube - 62%, In the Tall Grass - 33% and Splice: Deadly Experiment - 74%, directed the second episode, titled "Graveyard Rats", based on the short story by Henry Kuttner. Catherine Hardwicke, head of Twilight – 48% and Miss Bala: No Mercy – 29%, directed Chapter 6, “Dreams in the Witch House,” based on a story by HP Lovecraft. Panos Cosmatos, director of Mandy – 92%, was in charge of Chapter 7, “The Viewing”, and Jennifer Kent, author of The Babadook – 98%, directs the final chapter of the anthology, “The Murmuring”, based on an original story of Guillermo del Toro.
If this talent list isn't enough to grab your attention, you might want to know what the critics are saying. So far, the vast majority of reviews have given it a positive rating; they praise del Toro's stories, direction, production design and tireless imagination to captivate with horror.
Read also : Pinocchio: Guillermo del Toro hopes his film will revive the art of stop-motion
It looks like this Halloween season, scares fans will be in for a treat. Cabinet of curiosities by Guillermo del Toro. Soon, the Mexican filmmaker will also present his critically acclaimed stop motion feature Pinocchio on the platform. If his horror anthology is successful, we're sure to see some equally exciting new projects on Netflix. Here is the official synopsis:
In this visually stunning collection of chilling horror, the strangest nightmares unfold in eight sinister stories curated by Guillermo del Toro.
For now, Guillermo del Toro's Cabinet of Curiosities - 95% has a rating of 95%. And here are some excerpts from what the critics are saying:
Josh Bell in RBC:
The eight episodes of the first season offer a glimpse of what del Toro has to offer and if The Cabinet of Curiosities can stick around any longer (…) it has a lot of potential to attract new horrors.
Jesse Hassenger in The packaging:
Episodes feature detailed production design, efficient performances, and impressive creature work; All eight episodes have their charms, and in terms of bona fide cinema, “The Cabinet of Curiosities” defies the baffling inconsistency of anthologies.
Daniel Fienberg in Hollywood journalist:
… Tamara Deverell's production design is varied and exceptional, from the metaphorically rotten and corroded storage facility of 'Lot 36' to the myriad distinctive haunted houses; the episodes are generally well shot and designed to be watched in the dark, with a big bowl of popcorn tossed into the air in the spookiest spots.
Meagan Navarro in Bloody disgusting:
Del Toro manages to create a cohesive and technically impressive anthology. The roster of talent on display is incredible and it's reflected in the quality of the series.
chris evangelist in movie slash:
The beauty of a horror anthology is that even if a story doesn't tickle your spooky fancy, chances are you'll find another one later. And it is this approach that makes Guillermo del Toro's “Cabinet of Curiosities” resonate.
Richard Roper in Chicago Sun-Times:
Some episodes are more effective than others. “The Outside” has a kind of “Don't Worry Darling” vibe, with better gain. It's really memorable. All things considered, this is a suitably spooky and nightmarish feast for fans of the sinister and supernatural.
Tim Robey in Telegraph:
…the pace is a little off. Del Toro's script, co-written with Deadwood writer Regina Corrado, gets bogged down with too many extra locations and characters that, while well-handled, seem to waste their time.
Daniel D'Addario in Variety:
That all the directors share del Toro's attention is enough to merit a recommendation. However, very few share what would make the “cabinet of curiosities” transcendent: its heart.
david craig in Radio Times:
Like everything Guillermo del Toro does, it feels like a passion project. Although he steps away from the director's chair this time, his distinctive sensibility is the artery through which these scary stories flow (and sometimes sprout). With interesting ideas, haunting visuals, and memorable performances spread across these eight offerings, it's a Halloween treat…
Andrew Webster in The edge:
Del Toro stretches beyond his horizons with a collection of very different visions of terror. That's what I imagine walking through Bleak House would be: a glimpse into the spirit of del Toro through the work that inspires him.
Don't leave without reading: John Carpenter Rejects Contemporary Horror: I Don't Know What You're Talking About
SOURCE: Reviews News
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