✔️ 2022-07-23 11:21:20 – Paris/France.
Laura Sarmiento and Verónica Fernández are the creators of 'Privacy'. Laura Sarmiento and Veronica Fernández. Laura Sarmiento and Veronica Fernández. I am not in front of a mirror invoking a spirit… I explain the reason for this repetition.
It's been a while since the posters of series and films have disappeared as such on Netflix regarding its technical team, and even its directors: thank if the names of its protagonists appear, but any mention of those who are to the origin of the cameras are gathered under the umbrella “a Netflix movie”. Like that "It's not TV, it's HBO", but the other way around in terms of quality: (almost) all products end up being made, with a polish in terms of photography and even in terms of tics in scripts, and that doesn't usually translate to that point "at above” the TV (which I also disagree with, eye) of HBO’s tagline. In any case, something lower. By treating the series like a quarter pound with cheese, a hamburger that you gulp down with pleasure and forget about immediately. That's the current state of Netflix (and one of the many reasons they're losing subscribers), but sometimes there's a miracle and something pops up that seems to have a little soul. This is the case of 'Privacy'.
The series is inspired by the real case of Veronica, the Iveco employee who committed suicide after her colleagues shared a sexual video she had recorded in her privacy. The fiction takes this story, changing data, as one of its intrigues, with the victim's sister demanding justice, and adds another leaked video: that of the deputy mayor of Bilbao, who suffers a criminal act for eliminating him from the mayoral race (this whole thriller storyline is perhaps the least accomplished). Alongside the sister and the politician, we have other leading women, whose involvement in the concept of the series will be revealed as the episodes progress, and with whose roles Patricia López Arnaiz shines enormously. (in one of the best roles of her career), Itziar Ituño, Ana Wagener, Verónica Echegui, Emma Suárez and Yune Nogueiras. Nogueiras is, because of her youth next to so many titans, the one who a priori would start with the most disadvantages, but she ends up being one of the centerpieces, and the complicity that exists in her scenes with her "father Marc Martínez almost looks like a documentary. Other performers such as Fernando Albizu, Jaime Zatarain, Eduardo Lloveras, César Sarachu or Néstor Goenaga also stand out with smaller contributions.
Sarmiento and Fernández, with their writing partner José Luis Martín and directed by Jorge Torregrossa, Ben Gutteridge, Marta Font and Koldo Almandoz, produce a series that progresses slowly but steadily, which approaches humor without losing intensity and which treats the spectator with respect knowing how to tell a story like this (stories like these) without falling into the broad brush. In 'Privacy' it is not even necessary to ignore the claim; the story and the characters seem so real that the complaint is filed alone.
SOURCE: Reviews News
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