😍 2022-11-28 15:31:21 – Paris/France.
Human relationships can be something as wonderful as it is inexplicable, occurring in the most unexpected places and by the most unlikely combination of factors. A material that some independent filmmakers wanted to capture as if it were not a quality that slips through your fingers as if you were trying to catch water with something other than a container.
But sometimes, movie magic manages to be that vessel. Even though during filming it seems that this elusive quality is maintained, the final union of images and sounds ends up capturing this strange inertia, this connection that in reality you cannot experience, does not specify. That's what makes 'Lost In Translation', Sofia Coppola's must-see film, indispensable.
Everybody wants to be found
Available to watch on Netflix, this surprisingly successful gem will remain on the platform of Streaming until next Wednesday 30 November. Perhaps there is no better opportunity to appreciate an artist in a state of grace, a precocious Scarlett Johansson and a Bill Murray ready to distort his public image to do one of his best jobs as an actor. actor.
Murray plays a declining actor who moves to Japan for a series of high-paying but unrewarding jobs. Advertisements for alcohol, promotion on variety shows in which he is clearly out of place and the aggravation of being in a country whose language he does not speak and is miles from someone you know. A situation strangely similar to that of the young woman played by Johansson, living there with her photographer husband and finding enormous loneliness when he is away.
A loneliness that seems to lessen when the two meet and begin to interact. The nature of their relationship is never explicit, or falls into the simplicity of romance, but stems from something much deeper, like the need for feel connected in a paradoxically active and hectic world. Two people who meet when they most need to find someone, without it having to be anything else.
“Lost In Translation”: emotional maelstrom
Coppola manages to bring us into the complex emotional vortex, making an intimate portrait but not a modest sinner. The fascinating life of Japan, the ubiquitous lights, the atmospheric guitar sounds that fill the room. His narrative capacity has never been so high, here avoiding that unfair stigma that makes him end up making very beautiful films but empty of content.
Nothing represents him better than his use of Bill Murray in the film. She and Wes Anderson are among the few who have been able to capture this inherent sadness in the characters she regularly played and shaped her star image. Here, he is reversed and paints an honest and moving portrait. Johansson manages to be quite on his level, but he manages to be one of the big winners of a special movie.
SOURCE: Reviews News
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