🍿 2022-06-21 09:37:43 – Paris/France.
Sofie (Ida Engvoll) is married and works as a consultant in a publishing house. He does not care about the cultural dimension of the company, only that it is solvent. Max (Björn Mosten) is the IT guy who has to solve any technical problem. And, after entering into a challenge game with Max, Sofie releases a locked, censored and repressed part of herself. This was the starting point of love and anarchy in November 2020 when it first appeared in the Netflix catalog.
The approach of this comedy was surprising. At first, you might assume Lisa Langsbeth was coming up with a classic romantic comedy. Well, a European-style romantic comedy, who in the United States wouldn't find the idea of a cheating wife so funny. But behind the obvious formula were bold elements: it was more sexual than romantic, there was a latent plot of toxic masculinity, and as it progressed it was revealed that the show's theme was sanity.
Photo credit: Ulrika Malm
This topic was first discussed with Sofie's father, an activist who occasionally lost his sense of reality, unable to lead an independent life without Sofie's sporadic supervision. But the playful challenges between Sofie and Max revealed how the executive also failed to fit into socially accepted normality: her true self had been locked away by a controlling husband who, under the guise of caring for her, had canceled his personality.
The secret of the series, in fact, was in the adoration that Max feels for a complete Sofie, somewhat along the lines of crazy for her by Dani de la Orden and written by Èric Navarro and Natalia Durán: there was also an emphasis on the duty to love a person with mental health problems for who they are and not just for the person they are when " she's in for a good time."
Photo credit: Ulrika Malm
And it is that we must not confuse the situations: that Sofie is sometimes blocked, that she needs love and possibly professional help, does not mean that any behavior outside the norm, any feeling, any drive must be invalidated. the romantic of love and anarchy it is that Max brings to light precisely a part of Sofie that many in society would prefer not to see: the one who is uninhibited, the one who is ready to experiment, to expose herself without danger, to take her life as a game. In the new episodes, by the way, it brings us to hilarious scenes like the feline seduction or the coffee tryout.
This nonconformity of Sofie and Max, in addition to a mutual understanding that suffers a setback whenever Sofie doubts herself or is pushed back by the shadow of what is right in society (symbolized by her castrating husband), is what turns love and anarchy in a comedy special, better than 95% of the Netflix catalog. But let's not forget that, if it is such solid fiction, it is because the creator also knows how to squeeze the best out of the mold of romantic comedy and office comedy, taking them into the sexual domain, without prejudice, generous affection for those who let themselves be carried away by the impulses.
SOURCE: Reviews News
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