{"id":73776,"date":"2022-09-16T15:00:00","date_gmt":"2022-09-16T13:00:00","guid":{"rendered":"https:\/\/reviews.tn\/news\/netflix-revenge-now-le-remake-pour-adolescents-dun-classique-dalfred-hitchcock-qui-respecte-ses-pretentions\/"},"modified":"2022-09-17T10:54:09","modified_gmt":"2022-09-17T08:54:09","slug":"netflix-revenge-now-le-remake-pour-adolescents-dun-classique-dalfred-hitchcock-qui-respecte-ses-pretentions","status":"publish","type":"post","link":"https:\/\/reviews.tn\/news\/netflix-revenge-now-le-remake-pour-adolescents-dun-classique-dalfred-hitchcock-qui-respecte-ses-pretentions\/","title":{"rendered":"Netflix: Revenge now, le \u00ab\u00a0remake\u00a0\u00bb pour adolescents d’un classique d’Alfred Hitchcock qui respecte ses pr\u00e9tentions"},"content":{"rendered":"

\ud83c\udf7f 2022-09-16 15:00:00 – Paris\/France. <\/strong>
\n<\/p>\n

vengeance maintenant <\/strong><\/em>(Faire vengeance<\/em>e, \u00c9tats-Unis\/2022). Adresse:<\/strong> Jennifer Kaytin Robinson. Sc\u00e9nario: <\/strong>Jennifer Kaytin Robinson et Celeste Ballard, inspir\u00e9es du film d’Alfred Hitchcock, \u00e9trangers dans un train<\/em>. La photographie: <\/strong>Brian Burgoyne. \u00c9dition: <\/strong>Lori Boule. Musique: <\/strong>C’est Haim, Amanda Yamate. Moulage: <\/strong>Maya Hawke, Camila Mendes, Sarah Michelle Gellar, Austin Abrams. Disponible en: <\/strong>Netflix. Notre opinion: <\/strong>bonne.<\/p>\n

la com\u00e9die noire de Jennifer Kaytin Robinson<\/strong> Il pourrait \u00eatre tr\u00e8s facile de rejeter. Apr\u00e8s tout, il ne cache pas que l’inspiration derri\u00e8re son histoire n’est rien de moins que l’un des meilleurs films de <\/strong>Alfred Hitchcock<\/strong> (co-\u00e9crit par Raymond Chandler et bas\u00e9 sur un roman de Patricia Highsmith, rien que \u00e7a), <\/strong>le m\u00e9morable \u00e9trangers dans un train<\/em>. En parall\u00e8le, le sc\u00e9nario du cin\u00e9aste et de C\u00e9leste Ballard s’adresse \u00e0 un public jeune et puise dans la culture pop, des r\u00e9f\u00e9rences faites avec d\u00e9sinvolture par les personnages \u00e0 une bande-son truff\u00e9e de tubes pop actuels, comme \u00ab\u00a0Happier Than Ever \u00bb de Bilie Eilish et \u00ab Brutal \u00bb d’Olivia Rodrigo, la chanson signature du film, et une bande originale compos\u00e9e par Este Haim. <\/p>\n

En outre, vengeance maintenant<\/em> Son agenda est marqu\u00e9 : rendre visible les in\u00e9galit\u00e9s de traitement entre hommes et femmes dans un cadre acad\u00e9mique, entre autres contextes. Tous ces \u00e9l\u00e9ments pourraient devenir de la chair \u00e0 canon pour celui qui d\u00e9ciderait de s’attaquer au long m\u00e9trage de Robinson (dont on se souvient qu’il \u00e9tait co-sc\u00e9nariste de Thor : amour et tonnerre<\/em>) trop au s\u00e9rieux. Heureusement, c’est sa conscience de soi qui le sauve de comparaisons dont le r\u00e9sultat, comme le chante Rodrigo, aurait pu \u00eatre brutal.<\/p>\n

Maya Hawke et Camila Mendes dans Revenge et Netflix<\/p>\n

Dans le film d’Hitchcock, Guy Haines (Farley Grange)<\/strong> est un jeune joueur de tennis qui rencontre par hasard Bruno Anthony dans un train (Robert Walker).<\/strong> Pour ne pas s’ennuyer en chemin, ils s’engagent dans une conversation qui va du trivial au macabre lorsque tous deux fantasment sur ce que ce serait de tuer leurs ennemis respectifs afin qu’aucun ne soit suspect\u00e9 des crimes de l’autre. Cependant, Guy entretenait simplement ce fantasme tandis que Bruno d\u00e9cidait de jouer son r\u00f4le, entamant une lutte de pouvoir fascinante et, \u00e9tant Hitchcock, \u00e9galement assez cynique. Dans vengeance maintenant<\/em> Cette pr\u00e9misse est prise -un accord d’entraide entre deux figures quelque peu discutables- mais elle est pass\u00e9e au crible pour aborder, en premier lieu, le harc\u00e8lement et ses cons\u00e9quences \u00e0 court et \u00e0 long terme.<\/p>\n

R\u00eaver (l’\u00e9toile de <\/strong>Riverdale<\/strong><\/em> Camila M\u00e9ndez) <\/strong>est la figure populaire d’une \u00e9cole d’\u00e9lite \u00e0 Miami et est en couple avec Max (le talentueux austin abram, <\/strong>qui du film Villes de papier<\/em> \u00e0 la s\u00e9rie euphorie <\/em>touche \u00e0 chaque r\u00f4le), une adolescente issue d’une famille ais\u00e9e avec qui Drea entrevoit un avenir possible en dehors de ce microclimat. La r\u00e9alit\u00e9 la frappe lorsqu’une vid\u00e9o intime qu’elle a envoy\u00e9e \u00e0 son partenaire est divulgu\u00e9e et que lui et ses amis l’excluent de ce cercle ferm\u00e9.<\/p>\n

La com\u00e9die noire d\u00e9barque sur Netflix ce vendrediNetflix<\/p>\n

Par hasard, une Drea d\u00e9courag\u00e9e rencontre Eleanor (Maya Hawke)<\/strong> une nouvelle \u00e9l\u00e8ve \u00e0 l’\u00e9cole qui cherche \u00e0 se venger de Carissa, une jeune femme qui a expos\u00e9 sa sexualit\u00e9 devant ses camarades de classe et g\u00e9n\u00e9r\u00e9 un traumatisme qu’elle aspire \u00e0 surmonter avec le ressentiment comme moteur. Drea et Eleanor forgent une amiti\u00e9 par commodit\u00e9 pour faire tomber les personnes qui les ont bless\u00e9s, une seule a un tour dans sa manche qui est r\u00e9v\u00e9l\u00e9 dans le troisi\u00e8me acte du film. Oui ok vengeance maintenant <\/em>ne peut pas \u00e9viter certaines tentations d’histoires adolescent<\/em> -critique des degr\u00e9s de popularit\u00e9, triangles amoureux, st\u00e9r\u00e9otypes de certains personnages-, trouve en Hawke et Mendes un couple efficace qui, bien qu’inconsciemment, finit par \u00eatre adorable lorsque le r\u00e9alisateur les montre dans leurs moments les plus vuln\u00e9rables. <\/strong>C’est l\u00e0 que son film ressemble le plus \u00e0 son premier film, quelqu’un d’extraordinaire<\/em>D\u00e9j\u00e0 pas enceinte<\/em> (HBO Max), dont il a \u00e9galement \u00e9crit le sc\u00e9nario avec l’amiti\u00e9 f\u00e9minine comme base.<\/p>\n<\/p>\n

En tout cas, ce qui fait d\u00e9coller le film, c’est la lutte de ses protagonistes contre un syst\u00e8me patriarcal qui les opprime de diff\u00e9rentes mani\u00e8res (Eleanor est typ\u00e9e pour \u00eatre queer, <\/em>Drea est soumise parce qu’elle vient d’une famille ouvri\u00e8re) et que Max n’est que la pointe de l’iceberg. Abrams interpr\u00e8te parfaitement le r\u00f4le du \u00ab\u00a0faux alli\u00e9\u00a0\u00bb dont les micromachismes sont per\u00e7us \u00e0 des kilom\u00e8tres de distance.<\/strong><\/p>\n

Par cons\u00e9quent, il peut \u00eatre facile de rejeter Vengeance d\u00e9j\u00e0,<\/em> mais son secret est qu’elle sait quand se moquer d’elle-m\u00eame et quand critiquer de mani\u00e8re cinglante ces \u00e9cosyst\u00e8mes o\u00f9 l’apparence est la cl\u00e9. Dans cet aspect, Mendes dispose d’un plus grand espace de d\u00e9monstration dont il profite avec succ\u00e8s.<\/p>\n

\n

vengeance maintenant<\/em> est disponible sur Netflix.<\/p>\n<\/blockquote>\n

SOURCE : Reviews News<\/a><\/em> <\/p>\n

N\u2019h\u00e9sitez pas \u00e0 partager notre article sur les r\u00e9seaux sociaux afin de nous donner un solide coup de pouce. \ud83e\udd1f<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\ud83c\udf7f 2022-09-16 15:00:00 – Paris\/France. vengeance maintenant (Faire vengeancee, \u00c9tats-Unis\/2022). Adresse: Jennifer Kaytin Robinson. Sc\u00e9nario: Jennifer Kaytin Robinson et Celeste Ballard, inspir\u00e9es du film d’Alfred Hitchcock, \u00e9trangers dans un train. La photographie: Brian Burgoyne. \u00c9dition: Lori Boule. Musique: C’est Haim, Amanda Yamate. Moulage: Maya Hawke, Camila Mendes, Sarah Michelle Gellar, Austin Abrams. Disponible en: Netflix. […]<\/p>\n","protected":false},"author":7,"featured_media":73777,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"","_yoast_wpseo_focuskw_text_input":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[122,128],"tags":[123,125,126],"class_list":["post-73776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-netflix","category-streaming","tag-streaming","tag-streaming-series","tag-tv"],"yoast_head":"\nNetflix: Revenge now, le "remake" pour adolescents d'un classique d'Alfred Hitchcock qui respecte ses pr\u00e9tentions - Reviews News - Actualit\u00e9 High-tech, hardware, consoles, jeux vid\u00e9o et divertissement<\/title>\n<meta name=\"description\" content=\"\ud83c\udf7f 2022-09-16 15:00:00 - Paris\/France. vengeance maintenant (Faire vengeancee, \u00c9tats-Unis\/2022). Adresse: Jennifer Kaytin Robinson. 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