{"id":7316,"date":"2022-03-19T12:30:00","date_gmt":"2022-03-19T11:30:00","guid":{"rendered":"https:\/\/reviews.tn\/news\/leonardo-documentary-review-le-chef-doeuvre-perdu\/"},"modified":"2022-03-20T08:34:58","modified_gmt":"2022-03-20T07:34:58","slug":"leonardo-documentary-review-le-chef-doeuvre-perdu","status":"publish","type":"post","link":"https:\/\/reviews.tn\/news\/leonardo-documentary-review-le-chef-doeuvre-perdu\/","title":{"rendered":"Leonardo Documentary Review: Le chef-d’\u0153uvre perdu"},"content":{"rendered":"

Leonardo Documentary Review: Le chef-d’\u0153uvre perdu
\n – Reviews News<\/strong>
\n<\/p>\n

On dira tout de suite que la barbe est ennuyeuse, en pensant \u00e0 quelque le\u00e7on de restauration poussi\u00e9reuse, quelques le\u00e7ons d’histoire de l’art. Et il se serait grandement tromp\u00e9. Car le documentaire r\u00e9alis\u00e9 par Andreas Kofoed est une fascinante pi\u00e8ce de journalisme d’investigation, plus convaincante qu’un thriller avec de vrais acteurs, qui raconte l’incroyable histoire de ce qui est devenu le tableau vendu aux ench\u00e8res au prix le plus \u00e9lev\u00e9 du monde, 450 millions de dollars. Pourtant, il n’y a pas la moindre certitude qu’il s’agisse bien d’un tableau de L\u00e9onard. Et il n’y en aura jamais. <\/p>\n

Tout a commenc\u00e9 en 2003 lorsqu’un collectionneur d’art de niveau moyen-bas est tomb\u00e9 sur le tableau \u00e0 la Nouvelle-Orl\u00e9ans, dans l’arri\u00e8re-salle d’une maison de vente aux ench\u00e8res, consid\u00e9r\u00e9 comme ne m\u00e9ritant pas d’\u00eatre mis en vente, car il \u00e9tait peu probable qu’il soit attribu\u00e9. Il le verse 1 175 $. Accompagn\u00e9 d’un partenaire commercial, le petit collectionneur le livre \u00e0 une c\u00e9l\u00e8bre restauratrice, Dianne Modestini, \u00e9pouse du c\u00e9l\u00e8bre Mario, marchand d’art mais surtout d\u00e9fini comme le plus grand restaurateur du si\u00e8cle, alors tr\u00e8s ancien et proche de la fin, qui a eu lieu en 2006. <\/p>\n

La femme, laiss\u00e9e seule, commence un travail de nettoyage qui montre les \u00e9normes d\u00e9g\u00e2ts caus\u00e9s \u00e0 l’\u0153uvre, qui rappelle vraiment le style de L\u00e9onard. Apr\u00e8s avoir nettoy\u00e9 et r\u00e9par\u00e9 le panneau de bois sur lequel est peint le portrait de J\u00e9sus b\u00e9nissant, la femme entame un travail de restauration qui respecte le style de l’\u0153uvre mais la refait pratiquement \u00e0 z\u00e9ro. <\/p>\n

\u00c0 ce stade, devenu une \u0153uvre vraiment fascinante, le Salvator entame le processus qui le fera grandir \u00e0 l’international, il passe le niveau en recueillant des confirmations et quelques rejets n\u00e9gligeables, il est expos\u00e9 \u00e0 la National Gallery, augmentant ainsi sa cr\u00e9dibilit\u00e9, jusqu’\u00e0 ce qu’il ne pas attirer l’attention d’Yves Bouvier, un marchand\/entrepreneur bien connu qui compte parmi ses clients l’oligarque russe Dmitry Rybolovlev. Il verse aux propri\u00e9taires 83 millions de dollars et se recharge une quarantaine sur le prix final \u00e0 Rybolovlev. <\/p>\n

\u00c0 chaque passage, le tableau produit des dizaines de millions de dollars de valeur qui restent attach\u00e9s \u00e0 ceux qui le manipulent \u00e0 ce moment, y compris le mus\u00e9e qui l’expose et obtient des collections extraordinaires. Parce que les masses font la queue \u00e0 d\u00e9couvert pour contempler (au mieux) une \u0153uvre d’art c\u00e9l\u00e8bre, pour la prendre en selfie dans la plupart des cas.<\/p>\n

Mais le jeu de Bouvier est d\u00e9couvert par l’oligarque (jamais ennuyer quelqu’un appartenant \u00e0 cette cat\u00e9gorie), qui d\u00e9cide de se d\u00e9barrasser de tout son h\u00e9ritage artistique. Ainsi, entre Picasso, Gauguin et Klimt, un L\u00e9onard entre officiellement. Lors de l’ench\u00e8re finale soigneusement orchestr\u00e9e chez Christie’s, il se vendra pour un montant record de 400 millions de dollars, plus 50 dollars de commission. Pendant ce temps, un millier de critiques, de journalistes d’investigation et m\u00eame de la CIA et du FBI, int\u00e9ress\u00e9s par l’\u00e9vasion fiscale et le blanchiment d’argent, sont entr\u00e9s dans l’affaire. <\/p>\n

Apr\u00e8s de longues investigations, il finira entre les mains d’un despote tr\u00e8s puissant, internationalement reconnu. Et nous savons que pecunia non olet (et non, ce n’est pas Poutine). Nous ne disons pas de qui il s’agit, pour ne pas nuire au plaisir du spectateur, car comme nous l’avons dit, le documentaire est construit comme un thriller captivant.<\/p>\n

Puis \u00e0 la fin de l’histoire, sur le doux visage du Salvator Mundi, sur les doigts de sa main \u00e9l\u00e9gamment pos\u00e9s \u00e0 la b\u00e9n\u00e9diction, le sarcophage m\u00e9taphorique se referme, le couvercle du coffre qui \u00e9loignera l’Arche perdue d’Indiana Jones de humanit\u00e9. Peu importe o\u00f9 il se trouve maintenant, personne ne sait, que ce soit dans le coffre-fort d’un d\u00e9p\u00f4t d’art offshore (vous souvenez-vous de Tenet ou de la s\u00e9rie t\u00e9l\u00e9vis\u00e9e Billions ?) Ou dans le salon de l’habituel satrape multimilliardaire, peut-\u00eatre flottant sur son yacht ?<\/p>\n

Le plus lu maintenant<\/p>\n

Ce qui compte, c’est qu’elle ait disparu de la vue de l’humanit\u00e9, ce qui est la fin de toutes les \u0153uvres d’art trop convoit\u00e9es qui finissent entre les mains des sp\u00e9culateurs. On ne saura jamais si ce tableau est vraiment \u00e0 attribuer \u00e0 L\u00e9onard (ou \u00e0 un \u00e9tudiant ou restaurateur), on sait seulement qu’il a \u00e9t\u00e9 vendu 450 millions de dollars et sa valeur ne fera qu’augmenter. Et cela seul comptera, dans la folie des richesses accumul\u00e9es sans effort, les riches ou les fonds d’investissement, qui ne se soucient pas de la vraie beaut\u00e9, sinon de sa valeur marchande. <\/p>\n

Choses de notre temps, malheureusement. Comme le dit le r\u00e9alisateur \u00ab\u00a0Cette histoire met \u00e0 nu les m\u00e9canismes de la psych\u00e9 humaine, notre attirance pour le divin et les m\u00e9canismes des soci\u00e9t\u00e9s capitalistes dans lesquelles l’argent et le pouvoir l’emportent sur la v\u00e9rit\u00e9\u00a0\u00bb.<\/p>\n

SOURCE : Reviews News<\/a><\/em> <\/p>\n

N\u2019h\u00e9sitez pas \u00e0 partager notre article sur les r\u00e9seaux sociaux afin de nous donner un solide coup de pouce. \ud83e\udd1f<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Leonardo Documentary Review: Le chef-d’\u0153uvre perdu – Reviews News On dira tout de suite que la barbe est ennuyeuse, en pensant \u00e0 quelque le\u00e7on de restauration poussi\u00e9reuse, quelques le\u00e7ons d’histoire de l’art. Et il se serait grandement tromp\u00e9. Car le documentaire r\u00e9alis\u00e9 par Andreas Kofoed est une fascinante pi\u00e8ce de journalisme d’investigation, plus convaincante qu’un […]<\/p>\n","protected":false},"author":3,"featured_media":7317,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"","_yoast_wpseo_focuskw_text_input":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[29],"tags":[],"class_list":["post-7316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jeux-video"],"yoast_head":"\nLeonardo Documentary Review: Le chef-d'\u0153uvre perdu - Reviews News - Actualit\u00e9 High-tech, hardware, consoles, jeux vid\u00e9o et divertissement<\/title>\n<meta name=\"description\" content=\"Leonardo Documentary Review: Le chef-d'\u0153uvre perdu - Reviews News On dira tout de suite que la barbe est ennuyeuse, en pensant \u00e0 quelque le\u00e7on de\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/reviews.tn\/news\/leonardo-documentary-review-le-chef-doeuvre-perdu\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Leonardo Documentary Review: Le chef-d'\u0153uvre perdu - 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