{"id":35408,"date":"2022-05-02T09:01:00","date_gmt":"2022-05-02T07:01:00","guid":{"rendered":"https:\/\/reviews.tn\/news\/welcome-to-eden-deja-une-intrigue-netflix-sans-aucun-sens\/"},"modified":"2022-05-02T09:20:35","modified_gmt":"2022-05-02T07:20:35","slug":"welcome-to-eden-deja-une-intrigue-netflix-sans-aucun-sens","status":"publish","type":"post","link":"https:\/\/reviews.tn\/news\/welcome-to-eden-deja-une-intrigue-netflix-sans-aucun-sens\/","title":{"rendered":"‘Welcome to Eden’, d\u00e9j\u00e0 une intrigue Netflix sans aucun sens"},"content":{"rendered":"

\ud83d\ude0d 2022-05-02 09:01:00 – Paris\/France. <\/strong>
\n<\/p>\n

L’\u00e9norme effort collectif impliqu\u00e9 dans la r\u00e9alisation d’un long m\u00e9trage ou d’une s\u00e9rie t\u00e9l\u00e9vis\u00e9e m\u00e9rite le respect. M\u00eame lorsqu’il s’av\u00e8re aussi infructueux que bienvenue \u00e0 l’\u00e9den<\/strong><\/em> (depuis 2022), pour lequel Netflix a r\u00e9uni deux cin\u00e9astes oppos\u00e9s ; le v\u00e9t\u00e9ran Joaqu\u00edn Gorriz<\/strong>sc\u00e9nariste de Isi\/Disi\u00a0: Amour \u00e0 la b\u00eate<\/em> (2004) ou Le consul de Sodome<\/em> (2009) et cr\u00e9ateur de Il y a quelqu’un l\u00e0-bas<\/em> (2009-2010), Ange ou d\u00e9mon<\/em> (2011) et pi\u00e9g\u00e9<\/em> (2018), et le presque d\u00e9butant Guillaume L\u00f3pez Sanchez<\/strong>.<\/p>\n

Pour commencer, il utilise l’astuce bien connue de nous pr\u00e9senter une situation \u00e9trange en demi-r\u00e9solution<\/em> qui a besoin d’explications et saute en arri\u00e8re dans un grand retour en arri\u00e8re<\/em> afin de s’y conformer. Et, imm\u00e9diatement, ils ajoutent des d\u00e9tails qui veulent attiser davantage notre int\u00e9r\u00eat ; mais composition sans r\u00e9elle force dans ses ench\u00e8res<\/strong> elle fait souffrir ces m\u00e9canismes narratifs de toujours, si reconnaissables, et ne nous capte pas de la mani\u00e8re appropri\u00e9e.<\/p>\n

Il ne devrait y avoir aucun argument que bienvenue \u00e0 l’\u00e9den<\/em> semble destin\u00e9 au public qui aime les arguments similaires \u00e0 ceux de \u00c9lite<\/em> (depuis 2018); avec des d\u00e9sordres et un chaos juv\u00e9nile; et d’autre part, avec quelques touches rappelant L’\u00eele fantastique<\/em> (1978-1984), le jeu du calmar<\/em> (depuis 2021) d\u00e9j\u00e0 un jalon sur le petit \u00e9cran. D’o\u00f9, pour la premi\u00e8re, son montage dynamique mais assez d’actualit\u00e9<\/strong>sans imagination et avec une certaine insignifiance.<\/p>\n

‘Welcome to Eden’ ne fonctionne pas \u00e0 cause de ses probl\u00e8mes de script insurmontables<\/h2>\n

Netflix<\/p>\n

Son style audiovisuel s’accorde parfaitement avec l’arri\u00e8re-plan pas vraiment de profondeur dramatique<\/strong> depuis bienvenue \u00e0 l’\u00e9den<\/em>; qui utilise aussi des sketches crus et des phrases fig\u00e9es, et n’arrive pas \u00e0 \u00e9tablir de lien entre les protagonistes, dont ils n’\u00e9laborent pas trop la personnalit\u00e9, et les spectateurs. Alors on se fout de ce qui leur arrive, et les m\u00e9chants, qui apparaissent m\u00eame soudainement selon qui, ne s’imposent pas du tout.<\/p>\n

Comme si ces probl\u00e8mes ne suffisaient pas, la pr\u00e9misse principale et les man\u0153uvres de l’histoire<\/strong> \u00e0 ce sujet, qui nous rappellent \u00e9galement certains points de perdu<\/em> (2004-2010), ils ne tiennent pas<\/strong> Comme il se doit. De plus, \u00e0 la surprise de tout cin\u00e9phile attentif, m\u00eame certaines sc\u00e8nes d’ouverture nous rappellent une autre fiction t\u00e9l\u00e9vis\u00e9e inoubliable sur les survivants du vol Oceanic 815 ; mais sans la capacit\u00e9 ou l’intention de nous laisser confus.<\/p>\n

A cela s’ajoutent les manipulations, les mani\u00e8res de r\u00e9agir de certains personnages et l’ignorance avec une incroyable incoh\u00e9rence<\/strong> ridicule pur; et quelques rebondissements violents sans justification, juste parce que, et non pertinents en attendant les r\u00e9ponses aux questions sur le myst\u00e8re. Et un autre inconv\u00e9nient, qui emp\u00eache de concevoir un lien oppressant, est souvent de d\u00e9tourner l’attention de la sc\u00e8ne o\u00f9 se retrouvent les protagonistes.<\/p>\n

La m\u00e9chancet\u00e9 et le sadisme inutiles<\/h2>\n

Netflix<\/p>\n

Au-del\u00e0 de tout ce qui pr\u00e9c\u00e8de et entre apparences arbitraires, slashs superflus et casting qui se comporte, le rush fondamental de bienvenue \u00e0 l’\u00e9den<\/em> r\u00e9side dans ce l’origine du conflit dramatique n’est pas plausible<\/strong>. Le comportement ignoble des antagonistes n’est pas \u00e9tay\u00e9 de mani\u00e8re cr\u00e9dible, encore moins leur sadisme inhabituel. Il n’est pas n\u00e9cessaire pour eux d’agir ainsi, et cela n’a pas le moindre sens. Surtout s’il est m\u00eal\u00e9 \u00e0 une id\u00e9ologie pouvoir des fleurs<\/em> chupiguay.<\/p>\n

Les transitions entre les sc\u00e8nes avec des images de l’environnement, et le passage des heures parfois en acc\u00e9l\u00e9r\u00e9, sont similaires \u00e0 celles de la saison dix de histoire d’horreur am\u00e9ricaine<\/em> (depuis 2011). La cl\u00f4ture du quatri\u00e8me \u00e9pisode s’\u00e9l\u00e8ve au-dessus du reste de la proposition de Netflix en raison des sages d\u00e9cisions audiovisuelles de Daniel Benmayor; et le climax du huiti\u00e8me a \u00e9t\u00e9 bien mont\u00e9 par Alberto Guti\u00e9rrez. Mais ces vertus ils ne peuvent pas la sauver de ses incoh\u00e9rences<\/strong>.<\/p>\n

SOURCE : Reviews News<\/a><\/em> <\/p>\n

N\u2019h\u00e9sitez pas \u00e0 partager notre article sur les r\u00e9seaux sociaux afin de nous donner un solide coup de pouce. \ud83c\udf55<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\ud83d\ude0d 2022-05-02 09:01:00 – Paris\/France. L’\u00e9norme effort collectif impliqu\u00e9 dans la r\u00e9alisation d’un long m\u00e9trage ou d’une s\u00e9rie t\u00e9l\u00e9vis\u00e9e m\u00e9rite le respect. M\u00eame lorsqu’il s’av\u00e8re aussi infructueux que bienvenue \u00e0 l’\u00e9den (depuis 2022), pour lequel Netflix a r\u00e9uni deux cin\u00e9astes oppos\u00e9s ; le v\u00e9t\u00e9ran Joaqu\u00edn Gorrizsc\u00e9nariste de Isi\/Disi\u00a0: Amour \u00e0 la b\u00eate (2004) ou Le […]<\/p>\n","protected":false},"author":7,"featured_media":35409,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"","_yoast_wpseo_focuskw_text_input":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[122,128],"tags":[123,124,125],"class_list":["post-35408","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-netflix","category-streaming","tag-streaming","tag-streaming-films","tag-streaming-series"],"yoast_head":"\n'Welcome to Eden', d\u00e9j\u00e0 une intrigue Netflix sans aucun sens - Reviews News - Actualit\u00e9 High-tech, hardware, consoles, jeux vid\u00e9o et divertissement<\/title>\n<meta name=\"description\" content=\"\ud83d\ude0d 2022-05-02 09:01:00 - Paris\/France. L'\u00e9norme effort collectif impliqu\u00e9 dans la r\u00e9alisation d'un long m\u00e9trage ou d'une s\u00e9rie t\u00e9l\u00e9vis\u00e9e m\u00e9rite le respect.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/reviews.tn\/news\/welcome-to-eden-deja-une-intrigue-netflix-sans-aucun-sens\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Welcome to Eden', d\u00e9j\u00e0 une intrigue Netflix sans aucun sens - Reviews News - Actualit\u00e9 High-tech, hardware, consoles, jeux vid\u00e9o et divertissement\" \/>\n<meta property=\"og:description\" content=\"\ud83d\ude0d 2022-05-02 09:01:00 - Paris\/France. 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